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Your Learning Zone - Mozart - Die Zauberflote [Blu-ray]
![Mozart - Die Zauberflote [Blu-ray]](http://ecx.images-amazon.com/images/I/51QJDU22taL._SL160_.jpg)
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List Price: $45.98
Our Price: $26.60
Your Save: $ 19.38 ( 42% )
Availability: Usually ships in 24 hours
Manufacturer: BBC / Opus Arte Starring: Simon Keenlyside, Dorothea Röschmann, Will Hartmann, Diana Damrau, Franz-Josef Selig
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Average Customer Rating:     

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Aspect Ratio: 1.33:1 Audience Rating: NR (Not Rated) Binding: Blu-ray EAN: 0809478070023 Format: Classical Label: BBC / Opus Arte Manufacturer: BBC / Opus Arte Number Of Discs: 1 Number Of Items: 1 Publisher: BBC / Opus Arte Region Code: 1 Release Date: 2008-04-29 Running Time: 182 Studio: BBC / Opus Arte Theatrical Release Date: 2003
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Spotlight customer reviews:
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Customer Rating:      Summary: I cannot recommend highly enough this disc! Comment: Many of the early enthusiasts who argued that BD is capable of providing an entirely new type of viewing experience will certainly find a great deal of comfort in Opus Arte's impeccably produced Die Zauberflote. The Blu-ray disc offers two audio options: a German 2.0 and 5.1 PCM Stereo tracks. I did experiment with a number of different scenes from this disc and the biggest and most obvious example of how much better the 5.1 track is is when you have the choir singing. There is substantially more depth to the sound, more color if you will. When watching this disc keep in mind that what you see is a "live" performance where every single line, move, and note are unique. Then also consider the enormous work that has gone into the elaborate costumes and stage designs, how they are captured by the camera, and transfered to BD - frankly, I don't think you could match the degree of authenticity this BD release offers in any other format.
Customer Rating:      Summary: Delivered by me to Shanghai, China ! Comment: A Russian friend e-mailed me asking me to buy this for him. We were to meet in Shanghai for a vacation, so I brought it with me and gave him his present. He loved it ! (Can customers who live in St. Petersburg, Russia, order directly?)
Customer Rating:      Summary: You will be spoiled for any other rendition of Magic Flute... Comment: There is a clever juxtaposition of avant garde staging/theatrical setting with period subject material. The Queen of the Night is downright hot, not to mention the 3 maids. Pappageno stole the ovation! Although a small part, Pappagena is delightful. Regrettably, I don't know what to say about Tamino and Pamina but I'm sure they were great.
The singing is superbly articulate and the acting is second to none. Not just standing there singing with cheap backdrops! The orchestra is strong and the chorus powerful. The sets are meticulously done, eye catching but not distracting. The fire and water sequence is very creative. Its quite a production. Be sure to watch the ovations after it ends. The accolades are appropriately given to those who deserve them the most. Try it and you'll love it.
Customer Rating:      Summary: A must have Comment: This rendition of the opera is delightfull. The video is excellent and the sound is amazing. The performance in general is a masterpiece, the Queen of the night performance is a tour de force. Papagino is delightful, funny without being overdone and with great vocal presence. This is truly a remarkable piece both the video and the performing perspectives. Can't wait for more!
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Editorial Reviews:
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It’s hard to find a version of Mozart’s Die Zauberflöte that’s as well sung as this 2003 Covent Garden production. Led by the eminent Mozartian, Sir Colin Davis, orchestra and singers present a warm, often intense vision of the opera, not as the fairy tale it’s often taken for, but as a human drama of the passage from misguided beliefs to mature knowledge of self. Diana Damrau is the Queen of the Night for our time, with show-stopping bravura singing that tosses off the score’s terrifying high notes with almost casual abandon. Her acting and her fright outfit never leave you in doubt that she’s the evil presence here, even when she’s pretending to be a good mom concerned about her daughter, Pamina. Dorothea Röschmann is superb, floating pianissimo notes to die for and singing with a beautifully rounded soprano allied to a dramatic sense that make her Ach, ich fuhl's so moving. Will Hartman is a virile Tamino, a bit heavier of voice than most of the lyric tenors who take the role, but singing well. Like most Tamino’s, he’s upstaged by Papageno, the bird-catcher who’s his sidekick. Baritone Simon Keenlyside offers the best-sung Papageno one could hope to hear, and while he’s funny in many of his more physical scenes, he replaces the usual clownish buffoon with an earth-bound Everyman. The noble Sarastro, the lovers’ guide to self-realization, is well sung by Franz-Josef Selig, whose ample bass easily encompasses the low Fs that make most basses sound strained. The smaller roles are done well, too. Ailish Tynan has a romp as Papagena; the evil Monostatos is done to vocal and acting perfection by Adrian Thompson, the Queen’s Three Ladies are well-matched and appropriately edgy, and the Temple Priests are convincingly sung and acted. This production of Die Zauberflöte is a dark one. Producer David McVicar and conductor Davis reject the relatively recent transformation of the opera into a Disney-like romp for kids. The comic element in the opera is there, but its philosophical underpinnings--humanity’s fitful progress to a higher plane – are paramount. There are still plenty of laughs with the fake dragon that pursues Tamino at the opera’s opening and Papageno’s funny business with a bird, among other chuckle-inducing scenes. But the production’s Stygian backgrounds make for an oppressive setting. When light enters, as in the pomp of Sarastro’s entry or the blazing yellow disc of the sun that conquers darkness, the opera’s meanings are crystal-clear. Most of the characters wear 18th Century outfits, to comic effect as Monostatos’ heavy makeup, lipsticked mouth, and elaborate wig. But there are occasional incongruities: Tamino’s smock, the Three Boys’ knit sweaters and short pants, and Papagana’s mangy fur coat, among others. They’re well intregrated into the staging so they don’t jar. Nor, aside from the occasional too-tight closeups, does the video direction. In the special features, Davis speaks of the opera’s tension between "lighthearted music and the seriousness of the story," and all elements of this production fuse those key aspects in a way that makes this Blu-ray disc a joy to hear and watch. --Dan Davis
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